Directing Peoples by Suggestion: A Mechanism of Indirect Control Throughout History
Directing Peoples by Suggestion: A Mechanism of Indirect Control Throughout History
Introduction
Since the dawn of history, political systems and shadow actors have practiced the art of influencing peoples through multiple means, including direction by suggestion. This mechanism ranks among the most dangerous tools of intellectual and psychological control, as it infiltrates the consciousness of individuals and societies without their awareness, shaping their decisions, determining their positions, and driving them toward behaviors that may not stem from their free will.
Direction by suggestion manifests in multiple forms: media, religious, cultural, psychological, and through official and unofficial state tools. The source of this direction may be local or foreign, issued by the state itself or by foreign powers seeking to influence other peoples to achieve their geopolitical, economic, or ideological interests.
In this research, I will present the concept of direction by suggestion, trace its types and mechanisms, and provide a symbolic example embodying how an individual or entity can direct others' behavior without directly manipulating them.
Preliminary Symbolic Example: Suggestion as a Tool for Proxy Killing
To understand the danger of suggestion, we
can employ a symbolic story illustrating how a person can be driven to make
fateful decisions based on false suggestion:
Tony is a man married to a virtuous lady,
and they have several children. A malicious neighbor covets seizing their home
at a cheap price. During the husband's absence, the malicious neighbor breaks
into the home, rapes the wife, kills her and the children, then exits calmly
and observes the situation from afar. Upon the husband's return, he discovers
the massacre. The malicious neighbor approaches and suggests: "I saw our
other neighbor exit your house hastily and disturbed."
Under the influence of shock and suggestion, Tony rushes to kill the innocent neighbor, believing he is avenging his honor, wife, and his children. Tony is imprisoned, while the malicious neighbor later purchases the home at a meager price. Thus, the criminal achieved his goal through suggestion, without committing the direct crime for which the other was convicted.
This symbolic example clarifies how hidden direction can produce catastrophic results without apparent direct intervention.
Types of Direction by Suggestion
1. Direct Internal Direction
This is direction issued by ruling authorities and their official apparatuses, using their intellectual and institutional tools such as:
Intelligence agencies
Official media
Social media
Religious institutions
Academics and thinkers affiliated with the
system
Schools and universities
Rumor propagators
Arts used to glorify authority or justify its policies.
This direction aims to ensure the survival
of regimes by engineering public consciousness and making them believe their
choices are free, while they are carefully guided by the ruling elite.
2. Indirect Direction Through Agents and Proxies
Practiced by external entities or internal parties with ties to external forces. This pattern of direction aims to incite peoples against their regimes or against each other through:
Planting rumors
Activating sleeper cells
Directing public opinion through seemingly
"independent" figures who are actually paid
Using symbols of "manufactured opposition" to serve hidden projects
3. Media Direction
This is the most dangerous, widespread, and prevalent form of suggestion, practiced through:
Newspapers and magazines
Television programs, especially dramas and
series
Cinematic films (which convey political or
social messages)
Talk shows and talk shows
Social media platforms, which have become
an effective means of shaping public opinion
This direction aims to create stereotypical
molds in the minds of the masses and repeat specific messages until they become
"indisputable truths."
4. Institutional Religious and Cultural Direction
This pattern transcends direct tools to reach the depth of identity and historical consciousness. It is achieved through:
Creating religious sects and factions that
serve specific agendas
Establishing political parties that adopt
religious or nationalist characteristics to fragment societal unity
Manipulating educational curricula and
national upbringing
Forming ostensibly "humanitarian"
organizations that play an ideological role
Rewriting or falsifying history to serve
specific interests
This pattern aims to produce generations
carrying a pre-designed intellectual system without their awareness, making
subsequent resistance to suggestion more difficult.
Arts used to glorify authority or justify
its policies.
This direction aims to ensure the survival
of regimes by engineering public consciousness and making them believe their
choices are free, while they are carefully guided by the ruling elite.
2. Indirect Direction Through Agents and Proxies
Practiced by external entities or internal
parties with ties to external forces. This pattern of direction aims to incite
peoples against their regimes or against each other through:
"Planting rumors is a method of
'smearing the reputation of non-Jews such as Catholics "Christians in
general" and Native Americans, etc.'"
Activating sleeper cells
Directing public opinion through seemingly
"independent" figures who are actually paid
Using symbols of "manufactured
opposition" to serve hidden projects
3. Media Direction
This is the most dangerous, widespread, and prevalent form of suggestion, practiced through:
Newspapers and magazines
Television programs, especially dramas and
series
Cinematic films (which convey political or
social messages)
Talk shows and talk shows
Social media platforms, which have become
an effective means of shaping public opinion
This direction aims to create stereotypical
molds in the minds of the masses and repeat specific messages until they become
"indisputable truths."
4. Institutional Religious and Cultural Direction
This pattern transcends direct tools to reach the depth of identity and historical consciousness. It is achieved through:
Creating religious sects and factions that
serve specific agendas
Establishing political parties that adopt
religious or nationalist characteristics to fragment societal unity
Manipulating educational curricula and
national upbringing
Forming ostensibly "humanitarian"
organizations that play an ideological role
Rewriting or falsifying history to serve
specific interests
This pattern aims to produce generations carrying a pre-designed intellectual system without their awareness, making subsequent resistance to suggestion more difficult.
Exporting "Democracy" on Air.
Manufactured Elections: Political Theater
in the Age of Hidden Control. (Political Theater Theory)
Elections in modern systems are an advanced
tool for exporting the democratic illusion, managed as a sophisticated
political theater featuring:
Pre-debated debates that create illusory
competition between candidates. Example: The dramatic debate theater between
Donald Trump and President Joe Biden. Both are hidden Jews.
What's the difference between them?
Only the name, but the content is
identical: Their absolute loyalty to Jews.
Pre-debated debates that create illusory
competition between candidates. Example: The dramatic debate theater between
Donald Trump and President Joe Biden. Both are hidden Jews. What's the
difference between them? Only the name, but the content is identical: Their
absolute loyalty to Jews.
The Paradox of "Illusory Difference":
Despite claiming disagreement, they agree
on:
Trump: "I am the most pro-Israel
president in history" (2020).
Biden: "Israel is not an ally, but
part of our identity" (2023).
Supporting the Abraham Accords to normalize
relations with Israel.
Covering up Israeli war crimes at the
United Nations.
Result: Absolute loyalty to Jews transcends
party affiliation.
Therefore,
"The difference between Trump and Biden is like the difference between Coca-Cola and Pepsi – same ingredients, same owner, same goal: Serving the Jewish project."
- Fake debates, manufactured clashes.
Scenes of parliamentary brawls or verbal
clashes designed to incite public enthusiasm.
Staged debates before cameras that turn
politics into media drama.
This theatrical engineering aims to convince naive masses that they are witnessing a genuine democratic process, while the reality is that these elections are merely a propaganda facade to hide the actual control mechanism.
Behind the Curtain: Elite Conspiracy and
"Hidden Kisses"
In the dark backdrop of the electoral
process, what the lenses don't see occurs:
Competing candidates exchange kisses of
interest and shadow deals, becoming partners in the same game after cameras
shut down.
The Deep State – controlled by Jewish
rabbis – is what appoints presidents, kings, parliamentarians, and ministers in
advance.
Results are determined before voting
begins, and ballot boxes serve only as a ritualistic tool to legitimize
pre-made decisions.
According to the "Managed
Democracy" model, debates are used as a tool to vent public anger by
deluding them into having a real choice, while fateful decisions are made in
the "Lords' Committee" controlled by Jews.
Note:
This dynamic recalls the famous statement
by terrorist Henry Kissinger:
"Politics is the art of the possible,
but in modern democracies, it has become the art of hiding the impossible
behind the illusion of choice."
1. "Political Theater Theory" (Political Theater Theory)
Concept: Elections are a dramatic
production using:
Media as a guidance tool: Turning politics
into a TV series that controls public consciousness.
Candidates as actors: Pre-written roles
showing illusory "diversity."
Evidence: Case studies in America and
Europe show systematic fraud hidden by "media competition."
2. The "Three-Dimensional Control" Mechanism
Dimension mechanism
Media
Exporting electoral drama
Clamor on screens
Financial
Funding candidates by Jews
Ensuring loyalty to foreign interests
Security
Rigging results via tech companies linked
to the Deep State
Entrenching actual power
3. The "Façade Democracy" Phenomenon (Façade Democracy)
Definition: A system showing democratic
appearances (elections, parliament, parties) while real decisions are made in
closed rooms controlled by unelected networks.
Examples:
United States: A Princeton 2020 study
revealed 70% of policies serve economic elite interests linked to Jews.
France: The "Benali" 2022 scandal
proved manipulation in presidential elections favoring a candidate funded by
Jewish money.
Strategic Conclusion:
Elections are no longer a means to express
the will of peoples, but have transformed into an advanced control tool managed
by Jewish influence networks through:
Manufacturing public consent via media
drama.
Guiding political elites with "shadow
kisses" and interest deals.
Entrenching real power in the Deep State's
hands.
Result: Formal democracy, and peoples
governed by puppet strings held by real players in the shadows.
Summary:
Debates are merely political theater
produced by the Jewish hegemony system to achieve two goals:
Hiding elite cohesion behind a
"pluralistic democracy" facade.
Directing masses toward safe channels to
vent frustrations, while maintaining absolute loyalty to the Jewish project.
Role of Candidates: Actors playing
"opponents," fed lines from Deep State control rooms.
Debates: Hollywood-style directed, with
theatrical sound and lighting effects to increase suspense.
Objective: Venting public anger and
consuming screen time for pre-selected candidates.
modifications, or reordering of topics:
Historical Examples of Directing Peoples by
Suggestion
1. Creating Religious Sects to Direct Arabs Against Romans
Jews exercised their influence by creating
religious sects like the "Islam", "Hagarenes" and
"Hashashins," which were directed to fight Romans and Christians,
leading to Arabs being preoccupied with religious conflicts instead of uniting
their ranks.
2. The Crusades and the Knights Templar "Neturei Karta"
The Knights Templar group, the
"Neturei Karta" sect, which constitutes the Jewish military wing,
incited European peoples to launch the Crusades under a religious cover, while
the real motives were linked to hegemony and geographical control, especially
in the East.
3. Inciting the Mongols to Invade Iraq
The Mongols were influenced to believe that
invading Iraq was a response to the "injustice of the Babylonians"
toward Jews, a religious and vengeful manipulation built on the Torah narrative
portraying the "Babylonian Exile" as a historical crime requiring
revenge.
4. The Tatars as a Tool to Strike the Arab and Islamic Region
The Tatars were used, within strategic
plans, as a tool to shatter Christian alliances in the East, aiming to pave the
way for external influence transcending apparent religious conflicts.
5. Founding Protestantism and Anglicanism
European peoples were deceived with new
religious interpretations of the Bible after its translation was manipulated,
paving the way for establishing new Christian currents like Protestantism and
Anglicanism. The unstated goal was to dismantle the Catholic Church's authority
and bring Europe closer to the Jewish religious narrative.
6. The French Revolution and Napoleon
The French Revolution was used as a lever
to change ruling systems and dismantle religion in Europe. Napoleon was also
influenced of the necessity to invade Egypt and Palestine within the project of
"rebuilding Greater Israel," extending from the Nile to the
Euphrates, according to Torah narratives.
7. The First and Second World Wars
There is evidence of a hidden Jewish role
in igniting both wars, by exploiting political and economic tensions, as a
prelude to establishing a Jewish national homeland in Palestine.
8. Occupation of Iraq Under the Pretext of Chemical Weapons
Lies were promoted about Iraq possessing
weapons of mass destruction to justify the American invasion, while Torah texts
point to the prophecy of "avenging Babylon," indicating a hidden
religious background to the invasion linked to the myth of the "Jewish
Exile."
Among the most prominent testimonies revealing the true background is what French President Jacques Chirac relayed, when he stated that President George Bush told him Europe must join the Iraq invasion because Iraqis are "Gog" who would exile God's chosen people again, according to a Torah prophecy. This account was confirmed by French journalist Jean-Claude Maurice in his book: ( Jean-Claude Maurice (auteur))
"Si tu le répètes, je ne le croirai
pas" – (If you repeat this to me, I will not believe it).
9. Manipulation of the Media Image of Iraqi Prisons
Torture crimes in Abu Ghraib prison were
deliberately attributed to Christians, despite the perpetrators belonging to
American intelligence agencies, Jewish Rabbis and officiers. The photos were
leaked intentionally to smear Christians' reputation (because the Jew George
Bush claimed the Iraq war was a crusade to link the Iraq war to Christians).
Christians were deliberately held
responsible for torture crimes in Abu Ghraib prison, while the actual
perpetrators were American intelligence agencies and Jewish rabbis and
officers. The photos were deliberately leaked to distort the image of Christians,
as the Jew George Bush alleged the Iraq war was a crusade to link it to
Christians.
Jewish journalist Seymour Hersh claimed he
exposed the photos, but this is part of organized propaganda aiming to present
Jews as victims and human rights defenders.
Intelligence Exploitation of Filming Inside Military Facilities:
It is well-known that most military laws
worldwide, especially in Western countries like the United States, prohibit
bringing cameras into military facilities and prisons for security reasons and
to prevent leakage of sensitive information. Yet, what occurred in Abu Ghraib
prison in Iraq was a strange and shocking exception, where American soldiers
torturing Iraqi detainees were filmed with digital cameras, in explicit
violation of standard military protocols.
This violation was not a random individual
act; some analyses indicate that American military intelligence itself
instructed its elements working in the prison—who were soldiers from
reconnaissance units or intelligence agents—to document torture operations with
audio and video. The apparent goal was "gathering information," but
the real goal—as some researchers and investigative journalists see—was to
incite sectarian and religious strife, specifically between Muslims and
Christians, by creating a sense of injustice and anger among Islamic peoples
toward the "Cross" and Christians.
Two factors reinforce this hypothesis:
The failure to prosecute the core elements
involved in the scandal with fair and comprehensive trials despite the scale of
the global crime.
The theatrical appearance of torture photos
in media in a manner causing mass psychological shock, as if deliberately
published to provoke religious anger, not to condemn the perpetrators.
The biggest surprise came from Ali Shallal
al-Qaisi, the most famous victim in Abu Ghraib prison and owner of the iconic
photo (standing on a box with his body wired to electricity), when he stated
that those who interrogated, tortured, and raped men, women, and children in
the prison were "Jewish rabbis and officers" linked to an Israeli
institute run by Rabbi Yossi Zblun, specializing in training soldiers and
interrogators from the United States, Europe, Africa, and Southeast Asian
countries like Myanmar.
Analytical Summary:
Despite the diversity of conflicting and
warring parties worldwide—from regular armies to terrorist organizations, from
mafias to gangs, and from ideological currents like communism, capitalism,
atheism, and colonialism—the victims have always been the peoples: Muslims,
Christians, Buddhists, Red Indians, Europeans, Arabs, and others.
Yet there is a paradox that draws
attention: No systematic targeting of Jews has been recorded by those
collective forces, raising questions about who stands behind directing
conflicts. This is the greatest evidence that Jews are the founders and hidden drivers
of those conflicts and terrorist acts, by controlling the joints of global
decision-making and moving chaos to serve their interests.
Conclusion:
Direction by suggestion ranks among the
most dangerous means of controlling peoples, because it is not practiced
through force, but through deception and psychological and intellectual
penetration. It is a soft weapon used by the powerful to manufacture the
decisions of the weak, moving them as puppets are moved. Therefore, raising
individuals' awareness of these mechanisms represents an urgent necessity amid
modern wars that have come to be waged with minds, not weapons.
Critical awareness, intellectual education,
and achieving thinking independence are the primary tools of resistance against
this type of direction. The battle of peoples today is not only for political
freedom, but for liberating consciousness first.
References:
Edward Bernays – "Propaganda: The Art
of Manipulating Public Opinion"
George Orwell – "1984" (A
symbolic novel revealing patterns of direction)
Study: "Suggestion and Psychological
Manipulation in Media" – Journal of Media Psychology (2020)
UNESCO reports on the impact of media in
local and international conflicts.*
Sources:
Communication
(call) between President Bush and French President Jacques Chirac before the
Iraq invasion 2003:
https://www.cleveland.com/opinion/2009/08/agog_over_bushs_comments_on_go.html
https://providencemag.com/2016/08/george-w-bush-end-times/
Let us take Superman as an example:
Historically,
the creators of the Superman character (Jerry Siegel and Joe Shuster) are Jews
of immigrant origins.
Source:
Jerry
Siegel, Lithuanian Jew
https://en.wikipedia.org/wiki/Jerry_Siegel
Joe
Shuster, Dutch-Ukrainian Jew
https://en.wikipedia.org/wiki/Joe_Shuster
The
core story of Superman intersects with the idea of the "Jewish savior
descending from heaven" (the awaited Messiah/Mashiach).
His
original name: Kal-El - The word "El" means "God" in
Hebrew. Meaning "shadow of God" i.e., the Jew according to their
claim.
The
story: An infant sent from a destroyed planet (Krypton).
His
descent from another planet (Krypton) to Earth to survive symbolizes him as
coming from a "heavenly realm," then his survival as an infant in a
capsule (resembling Moses when cast into the river).
His
role: The invincible savior, symbol of the "Jewish Messiah" who will
come to save Jews.
His only weakness (Kryptonite): Suggests
the "savior" is not an ordinary human but has a different celestial
source.
The Torahic/Masonic interpretation:
Superman embodies the myth of the
"Chosen People descending from heaven," giving a mythological image
of the Jew as humanity's savior.
2. Batman
Background:
Created by Bob Kane (Jew) in 1939.
Source:
https://en.wikipedia.org/wiki/Bob_Kane
Symbols:
His real name: Bruce Wayne, the billionaire
living a double life.
Symbolism of the mask and darkness: Masonry
venerates "light and darkness" together, and Batman lives in darkness
yet is a symbol of "justice" - duality of good/evil.
Batman's cave (Batcave): Resembles the
secret Masonic lodge underground where hidden affairs are managed.
The bat emblem: The bat in Gnostic
traditions symbolizes hidden power and deception, also used in secret rituals.
The Torahic/Masonic interpretation:
Batman symbolizes the "hidden
savior" or the ruler behind the curtain. He is not a god like Superman,
but controls the city from the shadows, just as Jewish and Masonic elites do
globally.
3. Spider-Man
Background:
Created by Jews Stan Lee and Steve Ditko in
1962.
Stan Lee (Romanian Jewish)
Source:
https://en.wikipedia.org/wiki/Stan_Lee
Steve Ditko Crypto Jew from Hungaria
Source:
https://en.wikipedia.org/wiki/Steve_Ditko
Symbols:
The radioactive spider bite: The spider in
Kabbalistic (esoteric Jewish) traditions symbolizes the network controlling the
world.
His webs: Embody the idea of the
"spider's web" that entraps everyone, referring to hidden control
(exactly as media or the global financial system do).
His moral motto: "With great power
comes great responsibility" → Carries the tone of Jewish ethical
"commandments."
His double life: A weak/simple young man
(Peter Parker) yet possessing hidden powers → Symbol of the "outwardly
weak yet secretly strong Jew."
The Torahic/Masonic interpretation:
Spider-Man symbolizes the "global
Jewish network" (media, finance, politics) controlling the game's threads
while appearing to the world as an ordinary individual.
4. X-Men (The Mutants)
Background:
Created by Stan Lee and Jack Kirby (both
Jews).
Source:
Jack Kirby, Austrian Jew, real name Jacob
Kurtzberg
https://en.wikipedia.org/wiki/Jack_Kirby
Symbols:
Core idea: Humans "different"
persecuted for their genes.
Symbolism of persecution: Direct
representation of Jews as a "hated" minority yet superior to humans.
Superpowers: An "inherited" gift
others lack, like the "divine covenant" of a chosen people such as
Jews "according to their claim."
Professor X's secret school: Symbol of
Jewish secret organizations that manage and direct the new generation.
The Torahic/Masonic interpretation:
X-Men reframe the idea that Jews are a
"persecuted people yet carrying power and humanity's true savior."
5. Avengers & Justice League (The Avengers & Justice League)
Symbols:
A group of superheroes forming an
"alliance" to save the world.
Each hero embodies an aspect of
power/doctrine, yet they are incomplete without union.
The idea strongly resembles the
"tribes of Israel" uniting under one god "Yahweh the
Devil."
The Torahic/Masonic interpretation:
Passing the image of "God's chosen tribes" who save humanity through their own alliance, while other peoples are merely enslaved spectators.
This series is a glaring example of
promoting perverted Talmudic-Torah ideas through deception.
Psychological Effects:
This strategy produces:
Uncritical acceptance of the "Jewish
superiority" myth since childhood.
Subconscious association between
supernatural abilities and religious/ethnic belonging.
Normalization of the Torah narrative
(Chosen People) as a "cosmic truth."
The Grand Conclusion:
Superhero stories are not innocent American
fantasy, but a form of directed cultural propaganda targeting children and
adolescents, embedding in their subconscious the idea of the
"Jewish/celestial savior" and "superiority of God's chosen people,"
while wrapped in entertaining decoration of adventures and the supernatural.
The goal is to entrench in children's
minds:
That the "savior" must be
external to them (alien/chosen/descended from heaven).
That Jews (creators of the characters) are
the "different, superior, and salvation-mandated" people.
That the world always needs a
"superhero" (Jew) instead of relying on itself.
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