Directing Peoples by Suggestion: A Mechanism of Indirect Control Throughout History

 




Directing Peoples by Suggestion: A Mechanism of Indirect Control Throughout History

 

Introduction

Since the dawn of history, political systems and shadow actors have practiced the art of influencing peoples through multiple means, including direction by suggestion. This mechanism ranks among the most dangerous tools of intellectual and psychological control, as it infiltrates the consciousness of individuals and societies without their awareness, shaping their decisions, determining their positions, and driving them toward behaviors that may not stem from their free will.

Direction by suggestion manifests in multiple forms: media, religious, cultural, psychological, and through official and unofficial state tools. The source of this direction may be local or foreign, issued by the state itself or by foreign powers seeking to influence other peoples to achieve their geopolitical, economic, or ideological interests.

In this research, I will present the concept of direction by suggestion, trace its types and mechanisms, and provide a symbolic example embodying how an individual or entity can direct others' behavior without directly manipulating them.

Preliminary Symbolic Example: Suggestion as a Tool for Proxy Killing

To understand the danger of suggestion, we can employ a symbolic story illustrating how a person can be driven to make fateful decisions based on false suggestion:

Tony is a man married to a virtuous lady, and they have several children. A malicious neighbor covets seizing their home at a cheap price. During the husband's absence, the malicious neighbor breaks into the home, rapes the wife, kills her and the children, then exits calmly and observes the situation from afar. Upon the husband's return, he discovers the massacre. The malicious neighbor approaches and suggests: "I saw our other neighbor exit your house hastily and disturbed."

Under the influence of shock and suggestion, Tony rushes to kill the innocent neighbor, believing he is avenging his honor, wife, and his children. Tony is imprisoned, while the malicious neighbor later purchases the home at a meager price. Thus, the criminal achieved his goal through suggestion, without committing the direct crime for which the other was convicted.

This symbolic example clarifies how hidden direction can produce catastrophic results without apparent direct intervention.

Types of Direction by Suggestion

1. Direct Internal Direction

This is direction issued by ruling authorities and their official apparatuses, using their intellectual and institutional tools such as:

Intelligence agencies

Official media

Social media

Religious institutions

Academics and thinkers affiliated with the system

Schools and universities

Rumor propagators

 

Arts used to glorify authority or justify its policies.

This direction aims to ensure the survival of regimes by engineering public consciousness and making them believe their choices are free, while they are carefully guided by the ruling elite.

 

2. Indirect Direction Through Agents and Proxies

Practiced by external entities or internal parties with ties to external forces. This pattern of direction aims to incite peoples against their regimes or against each other through:

Planting rumors

Activating sleeper cells

Directing public opinion through seemingly "independent" figures who are actually paid

Using symbols of "manufactured opposition" to serve hidden projects


3. Media Direction

This is the most dangerous, widespread, and prevalent form of suggestion, practiced through:

Newspapers and magazines

Television programs, especially dramas and series

Cinematic films (which convey political or social messages)

Talk shows and talk shows

Social media platforms, which have become an effective means of shaping public opinion

This direction aims to create stereotypical molds in the minds of the masses and repeat specific messages until they become "indisputable truths."


4. Institutional Religious and Cultural Direction

This pattern transcends direct tools to reach the depth of identity and historical consciousness. It is achieved through:

Creating religious sects and factions that serve specific agendas

Establishing political parties that adopt religious or nationalist characteristics to fragment societal unity

Manipulating educational curricula and national upbringing

Forming ostensibly "humanitarian" organizations that play an ideological role

Rewriting or falsifying history to serve specific interests

This pattern aims to produce generations carrying a pre-designed intellectual system without their awareness, making subsequent resistance to suggestion more difficult.

 

Arts used to glorify authority or justify its policies.

This direction aims to ensure the survival of regimes by engineering public consciousness and making them believe their choices are free, while they are carefully guided by the ruling elite.

 

2. Indirect Direction Through Agents and Proxies

Practiced by external entities or internal parties with ties to external forces. This pattern of direction aims to incite peoples against their regimes or against each other through:

 

"Planting rumors is a method of 'smearing the reputation of non-Jews such as Catholics "Christians in general" and Native Americans, etc.'"


Activating sleeper cells

Directing public opinion through seemingly "independent" figures who are actually paid

Using symbols of "manufactured opposition" to serve hidden projects


3. Media Direction

This is the most dangerous, widespread, and prevalent form of suggestion, practiced through:

Newspapers and magazines

Television programs, especially dramas and series

Cinematic films (which convey political or social messages)

Talk shows and talk shows

Social media platforms, which have become an effective means of shaping public opinion

This direction aims to create stereotypical molds in the minds of the masses and repeat specific messages until they become "indisputable truths."


4. Institutional Religious and Cultural Direction

This pattern transcends direct tools to reach the depth of identity and historical consciousness. It is achieved through:

Creating religious sects and factions that serve specific agendas

Establishing political parties that adopt religious or nationalist characteristics to fragment societal unity

Manipulating educational curricula and national upbringing

Forming ostensibly "humanitarian" organizations that play an ideological role

Rewriting or falsifying history to serve specific interests

This pattern aims to produce generations carrying a pre-designed intellectual system without their awareness, making subsequent resistance to suggestion more difficult.

Exporting "Democracy" on Air.

Manufactured Elections: Political Theater in the Age of Hidden Control. (Political Theater Theory)

Elections in modern systems are an advanced tool for exporting the democratic illusion, managed as a sophisticated political theater featuring:

Pre-debated debates that create illusory competition between candidates. Example: The dramatic debate theater between Donald Trump and President Joe Biden. Both are hidden Jews.

What's the difference between them?

Only the name, but the content is identical: Their absolute loyalty to Jews.

Pre-debated debates that create illusory competition between candidates. Example: The dramatic debate theater between Donald Trump and President Joe Biden. Both are hidden Jews. What's the difference between them? Only the name, but the content is identical: Their absolute loyalty to Jews.

 

The Paradox of "Illusory Difference":

Despite claiming disagreement, they agree on:

Trump: "I am the most pro-Israel president in history" (2020).

Biden: "Israel is not an ally, but part of our identity" (2023).

Supporting the Abraham Accords to normalize relations with Israel.

Covering up Israeli war crimes at the United Nations.

Result: Absolute loyalty to Jews transcends party affiliation.

Therefore,


"The difference between Trump and Biden is like the difference between Coca-Cola and Pepsi – same ingredients, same owner, same goal: Serving the Jewish project."

- Fake debates, manufactured clashes.

Scenes of parliamentary brawls or verbal clashes designed to incite public enthusiasm.

Staged debates before cameras that turn politics into media drama.

This theatrical engineering aims to convince naive masses that they are witnessing a genuine democratic process, while the reality is that these elections are merely a propaganda facade to hide the actual control mechanism.

Behind the Curtain: Elite Conspiracy and "Hidden Kisses"

In the dark backdrop of the electoral process, what the lenses don't see occurs:

Competing candidates exchange kisses of interest and shadow deals, becoming partners in the same game after cameras shut down.

The Deep State – controlled by Jewish rabbis – is what appoints presidents, kings, parliamentarians, and ministers in advance.

Results are determined before voting begins, and ballot boxes serve only as a ritualistic tool to legitimize pre-made decisions.

According to the "Managed Democracy" model, debates are used as a tool to vent public anger by deluding them into having a real choice, while fateful decisions are made in the "Lords' Committee" controlled by Jews.

 

Note:

This dynamic recalls the famous statement by terrorist Henry Kissinger:

"Politics is the art of the possible, but in modern democracies, it has become the art of hiding the impossible behind the illusion of choice."

 

1. "Political Theater Theory" (Political Theater Theory)

Concept: Elections are a dramatic production using:

Media as a guidance tool: Turning politics into a TV series that controls public consciousness.

Candidates as actors: Pre-written roles showing illusory "diversity."

Evidence: Case studies in America and Europe show systematic fraud hidden by "media competition."

 

2. The "Three-Dimensional Control" Mechanism

Dimension mechanism

Media

Exporting electoral drama

Clamor on screens

Financial

Funding candidates by Jews

Ensuring loyalty to foreign interests

Security

Rigging results via tech companies linked to the Deep State

Entrenching actual power


3. The "Façade Democracy" Phenomenon (Façade Democracy)

Definition: A system showing democratic appearances (elections, parliament, parties) while real decisions are made in closed rooms controlled by unelected networks.

Examples:

United States: A Princeton 2020 study revealed 70% of policies serve economic elite interests linked to Jews.

France: The "Benali" 2022 scandal proved manipulation in presidential elections favoring a candidate funded by Jewish money.

 

Strategic Conclusion:

Elections are no longer a means to express the will of peoples, but have transformed into an advanced control tool managed by Jewish influence networks through:

Manufacturing public consent via media drama.

Guiding political elites with "shadow kisses" and interest deals.

Entrenching real power in the Deep State's hands.

Result: Formal democracy, and peoples governed by puppet strings held by real players in the shadows.

 

Summary:

Debates are merely political theater produced by the Jewish hegemony system to achieve two goals:

Hiding elite cohesion behind a "pluralistic democracy" facade.

Directing masses toward safe channels to vent frustrations, while maintaining absolute loyalty to the Jewish project.

Role of Candidates: Actors playing "opponents," fed lines from Deep State control rooms.

Debates: Hollywood-style directed, with theatrical sound and lighting effects to increase suspense.

Objective: Venting public anger and consuming screen time for pre-selected candidates.

 

modifications, or reordering of topics:

Historical Examples of Directing Peoples by Suggestion


1. Creating Religious Sects to Direct Arabs Against Romans

Jews exercised their influence by creating religious sects like the "Islam", "Hagarenes" and "Hashashins," which were directed to fight Romans and Christians, leading to Arabs being preoccupied with religious conflicts instead of uniting their ranks.

 

2. The Crusades and the Knights Templar "Neturei Karta"

The Knights Templar group, the "Neturei Karta" sect, which constitutes the Jewish military wing, incited European peoples to launch the Crusades under a religious cover, while the real motives were linked to hegemony and geographical control, especially in the East.

 

3. Inciting the Mongols to Invade Iraq

The Mongols were influenced to believe that invading Iraq was a response to the "injustice of the Babylonians" toward Jews, a religious and vengeful manipulation built on the Torah narrative portraying the "Babylonian Exile" as a historical crime requiring revenge.

 

4. The Tatars as a Tool to Strike the Arab and Islamic Region

The Tatars were used, within strategic plans, as a tool to shatter Christian alliances in the East, aiming to pave the way for external influence transcending apparent religious conflicts.

 

5. Founding Protestantism and Anglicanism

European peoples were deceived with new religious interpretations of the Bible after its translation was manipulated, paving the way for establishing new Christian currents like Protestantism and Anglicanism. The unstated goal was to dismantle the Catholic Church's authority and bring Europe closer to the Jewish religious narrative.

 

6. The French Revolution and Napoleon

The French Revolution was used as a lever to change ruling systems and dismantle religion in Europe. Napoleon was also influenced of the necessity to invade Egypt and Palestine within the project of "rebuilding Greater Israel," extending from the Nile to the Euphrates, according to Torah narratives.


7. The First and Second World Wars

There is evidence of a hidden Jewish role in igniting both wars, by exploiting political and economic tensions, as a prelude to establishing a Jewish national homeland in Palestine.


8. Occupation of Iraq Under the Pretext of Chemical Weapons

Lies were promoted about Iraq possessing weapons of mass destruction to justify the American invasion, while Torah texts point to the prophecy of "avenging Babylon," indicating a hidden religious background to the invasion linked to the myth of the "Jewish Exile."

Among the most prominent testimonies revealing the true background is what French President Jacques Chirac relayed, when he stated that President George Bush told him Europe must join the Iraq invasion because Iraqis are "Gog" who would exile God's chosen people again, according to a Torah prophecy. This account was confirmed by French journalist Jean-Claude Maurice in his book: ( Jean-Claude Maurice (auteur))

"Si tu le répètes, je ne le croirai pas" – (If you repeat this to me, I will not believe it).

 

9. Manipulation of the Media Image of Iraqi Prisons

Torture crimes in Abu Ghraib prison were deliberately attributed to Christians, despite the perpetrators belonging to American intelligence agencies, Jewish Rabbis and officiers. The photos were leaked intentionally to smear Christians' reputation (because the Jew George Bush claimed the Iraq war was a crusade to link the Iraq war to Christians).

Christians were deliberately held responsible for torture crimes in Abu Ghraib prison, while the actual perpetrators were American intelligence agencies and Jewish rabbis and officers. The photos were deliberately leaked to distort the image of Christians, as the Jew George Bush alleged the Iraq war was a crusade to link it to Christians.

Jewish journalist Seymour Hersh claimed he exposed the photos, but this is part of organized propaganda aiming to present Jews as victims and human rights defenders.

 

Intelligence Exploitation of Filming Inside Military Facilities:

It is well-known that most military laws worldwide, especially in Western countries like the United States, prohibit bringing cameras into military facilities and prisons for security reasons and to prevent leakage of sensitive information. Yet, what occurred in Abu Ghraib prison in Iraq was a strange and shocking exception, where American soldiers torturing Iraqi detainees were filmed with digital cameras, in explicit violation of standard military protocols.

This violation was not a random individual act; some analyses indicate that American military intelligence itself instructed its elements working in the prison—who were soldiers from reconnaissance units or intelligence agents—to document torture operations with audio and video. The apparent goal was "gathering information," but the real goal—as some researchers and investigative journalists see—was to incite sectarian and religious strife, specifically between Muslims and Christians, by creating a sense of injustice and anger among Islamic peoples toward the "Cross" and Christians.

 

Two factors reinforce this hypothesis:

The failure to prosecute the core elements involved in the scandal with fair and comprehensive trials despite the scale of the global crime.

The theatrical appearance of torture photos in media in a manner causing mass psychological shock, as if deliberately published to provoke religious anger, not to condemn the perpetrators.

The biggest surprise came from Ali Shallal al-Qaisi, the most famous victim in Abu Ghraib prison and owner of the iconic photo (standing on a box with his body wired to electricity), when he stated that those who interrogated, tortured, and raped men, women, and children in the prison were "Jewish rabbis and officers" linked to an Israeli institute run by Rabbi Yossi Zblun, specializing in training soldiers and interrogators from the United States, Europe, Africa, and Southeast Asian countries like Myanmar.


Analytical Summary:

Despite the diversity of conflicting and warring parties worldwide—from regular armies to terrorist organizations, from mafias to gangs, and from ideological currents like communism, capitalism, atheism, and colonialism—the victims have always been the peoples: Muslims, Christians, Buddhists, Red Indians, Europeans, Arabs, and others.

Yet there is a paradox that draws attention: No systematic targeting of Jews has been recorded by those collective forces, raising questions about who stands behind directing conflicts. This is the greatest evidence that Jews are the founders and hidden drivers of those conflicts and terrorist acts, by controlling the joints of global decision-making and moving chaos to serve their interests.

 

Conclusion:

Direction by suggestion ranks among the most dangerous means of controlling peoples, because it is not practiced through force, but through deception and psychological and intellectual penetration. It is a soft weapon used by the powerful to manufacture the decisions of the weak, moving them as puppets are moved. Therefore, raising individuals' awareness of these mechanisms represents an urgent necessity amid modern wars that have come to be waged with minds, not weapons.

Critical awareness, intellectual education, and achieving thinking independence are the primary tools of resistance against this type of direction. The battle of peoples today is not only for political freedom, but for liberating consciousness first.

 

References:

Edward Bernays – "Propaganda: The Art of Manipulating Public Opinion"

George Orwell – "1984" (A symbolic novel revealing patterns of direction)

Study: "Suggestion and Psychological Manipulation in Media" – Journal of Media Psychology (2020)

UNESCO reports on the impact of media in local and international conflicts.*

 

Sources:

Communication (call) between President Bush and French President Jacques Chirac before the Iraq invasion 2003:

 

https://www.cleveland.com/opinion/2009/08/agog_over_bushs_comments_on_go.html

 

https://providencemag.com/2016/08/george-w-bush-end-times/

 




Let us take Superman as an example:

Historically, the creators of the Superman character (Jerry Siegel and Joe Shuster) are Jews of immigrant origins.

Source:

Jerry Siegel, Lithuanian Jew

https://en.wikipedia.org/wiki/Jerry_Siegel

 

Joe Shuster, Dutch-Ukrainian Jew

https://en.wikipedia.org/wiki/Joe_Shuster

 

The core story of Superman intersects with the idea of the "Jewish savior descending from heaven" (the awaited Messiah/Mashiach).

His original name: Kal-El - The word "El" means "God" in Hebrew. Meaning "shadow of God" i.e., the Jew according to their claim.

The story: An infant sent from a destroyed planet (Krypton).

His descent from another planet (Krypton) to Earth to survive symbolizes him as coming from a "heavenly realm," then his survival as an infant in a capsule (resembling Moses when cast into the river).

His role: The invincible savior, symbol of the "Jewish Messiah" who will come to save Jews.

His only weakness (Kryptonite): Suggests the "savior" is not an ordinary human but has a different celestial source.

The Torahic/Masonic interpretation:

Superman embodies the myth of the "Chosen People descending from heaven," giving a mythological image of the Jew as humanity's savior.

 

2. Batman

Background:

Created by Bob Kane (Jew) in 1939.

Source:

https://en.wikipedia.org/wiki/Bob_Kane

 

Symbols:

His real name: Bruce Wayne, the billionaire living a double life.

Symbolism of the mask and darkness: Masonry venerates "light and darkness" together, and Batman lives in darkness yet is a symbol of "justice" - duality of good/evil.

Batman's cave (Batcave): Resembles the secret Masonic lodge underground where hidden affairs are managed.

The bat emblem: The bat in Gnostic traditions symbolizes hidden power and deception, also used in secret rituals.

The Torahic/Masonic interpretation:

Batman symbolizes the "hidden savior" or the ruler behind the curtain. He is not a god like Superman, but controls the city from the shadows, just as Jewish and Masonic elites do globally.

 

3. Spider-Man

Background:

Created by Jews Stan Lee and Steve Ditko in 1962.

Stan Lee (Romanian Jewish)

Source:

 

https://en.wikipedia.org/wiki/Stan_Lee

 

Steve Ditko Crypto Jew from Hungaria

Source:

 

https://en.wikipedia.org/wiki/Steve_Ditko

 

Symbols:

The radioactive spider bite: The spider in Kabbalistic (esoteric Jewish) traditions symbolizes the network controlling the world.

His webs: Embody the idea of the "spider's web" that entraps everyone, referring to hidden control (exactly as media or the global financial system do).

His moral motto: "With great power comes great responsibility" → Carries the tone of Jewish ethical "commandments."

His double life: A weak/simple young man (Peter Parker) yet possessing hidden powers → Symbol of the "outwardly weak yet secretly strong Jew."

The Torahic/Masonic interpretation:

Spider-Man symbolizes the "global Jewish network" (media, finance, politics) controlling the game's threads while appearing to the world as an ordinary individual.

 

4. X-Men (The Mutants)

Background:

Created by Stan Lee and Jack Kirby (both Jews).

Source:

Jack Kirby, Austrian Jew, real name Jacob Kurtzberg

 

https://en.wikipedia.org/wiki/Jack_Kirby

 

Symbols:

Core idea: Humans "different" persecuted for their genes.

Symbolism of persecution: Direct representation of Jews as a "hated" minority yet superior to humans.

Superpowers: An "inherited" gift others lack, like the "divine covenant" of a chosen people such as Jews "according to their claim."

Professor X's secret school: Symbol of Jewish secret organizations that manage and direct the new generation.

The Torahic/Masonic interpretation:

X-Men reframe the idea that Jews are a "persecuted people yet carrying power and humanity's true savior."

 

5. Avengers & Justice League (The Avengers & Justice League)

Symbols:

A group of superheroes forming an "alliance" to save the world.

Each hero embodies an aspect of power/doctrine, yet they are incomplete without union.

The idea strongly resembles the "tribes of Israel" uniting under one god "Yahweh the Devil."

The Torahic/Masonic interpretation:

Passing the image of "God's chosen tribes" who save humanity through their own alliance, while other peoples are merely enslaved spectators.

This series is a glaring example of promoting perverted Talmudic-Torah ideas through deception.

 

Psychological Effects:

This strategy produces:

Uncritical acceptance of the "Jewish superiority" myth since childhood.

Subconscious association between supernatural abilities and religious/ethnic belonging.

Normalization of the Torah narrative (Chosen People) as a "cosmic truth."

 

The Grand Conclusion:

Superhero stories are not innocent American fantasy, but a form of directed cultural propaganda targeting children and adolescents, embedding in their subconscious the idea of the "Jewish/celestial savior" and "superiority of God's chosen people," while wrapped in entertaining decoration of adventures and the supernatural.

The goal is to entrench in children's minds:

That the "savior" must be external to them (alien/chosen/descended from heaven).

That Jews (creators of the characters) are the "different, superior, and salvation-mandated" people.

That the world always needs a "superhero" (Jew) instead of relying on itself.

 

 

 

 

 


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